Category Archives: Foodstyling

The Weight

This is the Italian Combo and Broccoli Rabe Pressed Sandwich that I styled for a Food Network spread. Here is the recipe.

Just a flat out good idea. Another thing I think I will do often in my parallel life.

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These photos by me.

You can see the full story, with recipes, here.

And this is what the professional stuff looks like. Renee Comet took these beautiful pictures in her studio.

Our happy, one-ring circus is populated by Renee,  Carolyn Schimley, the best person in the world to me, who does most of the real cooking, Sara Rosenblum, our Food Network person who runs the show, Steve, who probably truly runs the show, and me. When work is this, I love to work.

 

 

 

This Is Your Brain on a Sandwich

Nope, it’s not scrambled. Your brain on a sandwich is fueled up and ready to roll. Screen Shot 2016-03-06 at 1.20.01 PM

Aviva Goldfarb’s new book is a terrific companion to her coterie of cooking comrades, both paper and electronic. They  will hold your hand in any way that suits. Think of the Six O’Clock Scramble as a dinnertime Girl Monday-Friday.

FriedEggAvocadoSandwich

Photo by Renee Comet. Styling by yours truly.

I, for one among many, could do with just one recipe on my desert island, as long as that recipe is for an egg sandwich. Those who eat them, love them, morning, noon, night and midnight.

Salt, spice, crunch, squish, egg. Fried Egg and Avocado Sandwiches have it all.

Fried Egg and Avocado SandwichesCajunFishSandwich

Photo by Renee Comet. Styling by yours truly.

And then there is this. An ambitious sandwich with doable parameters. This fishwich is at the top of my wishlist. Checking it off weekly with my waterproof pen!~~~Cajun Fish Sandwiches with Crunchy Slaw

Could you fancy now… A haiku on a pretzel…Slice of raw atop?

Shameless self promotion, shameless self indulgence, shameless self exposure of a shameless show of appetite. Pile it high, make it drip down my arm, bring on the onion, butter-griddled bread and sloppy creamed spinach. Oh yeah.
JeffMauro_HangerSteakSandwichWithBourbonCreamedSpinach_V

Pretzel roll dripping
With hanger steak and bourbon.
Spinach keeping safe sentry.

Photo by Renee Comet and styling by MOI! (I love it but think it coulda been drippier. Neatness bgone.)

Recipe – go on, click it! – here.

Duke’s

Speaking of summer, let’s get on with it. Festival of the lights be here, be gone, longer days, bring it on! Tomato sandwiches, please. I did not have anywhere near enough of them last summer. Or the one before.

Jeff Saxman, a terrific Richmond photographer, generously added the Duke’s cookbook to my library. We have done quite a bit of work together for Duke’s and I dig it – the mayonnaise and the work with Jeff.

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You will find nice straightforward recipes on the Duke’s website – Lobster Rolls, like the one above, and Tomato Sandwiches among them. See, here you go.

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What’d I tellya? Easy peasy. In lieu of Grill Shakers, in case you don’t have it and don’t want to run out, salt and pepper are good. They are almost always good, such a pair.

You know this sandwich is dependent on the tomatoes, which are dependent on the season, no matter how many hydroponic farmers and overnight freight shippers might tellya, right? Wait it out till tomatoes are hot on the vine.

Then, get out the Duke’s and bread. That’ll do-ya. Here’s what’s in Dukes:Ingredients: Soybean oil, eggs, water, distilled and cider vinegar, salt, oleoresin paprika (it’s just paprika, not to worry) natural flavors, calcium disodium EDTA (not sure where I stand on this stuff) added to protect flavor.

As a Southern thing, Duke’s knows its way around a tomato sandwich, that much I know for sure. And I’m gonna look into that calcium disodium thing.

Duke's Cover

Duke’s Mayonnaise

Duke's Tomato Sandwich

The Revolution Will Not Be Twitterized

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We are in the business of exacerbating FOMO. My own is off the charts and I know these food images are fantasy. This is not humble bragging, people, this is a full on swagger. Intended to make you run with open wallet towards the delicious temptation.

GrilledAthenianBurgerPhoto by Renee Comet

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“Social software is both the creator and the cure of FOMO. It’s cyclical.” “We as humans can only process so much data.” Yeah, no kidding, brother. I can only look at these chips so long before I Must. Have. Some.

Cottage_FriesPhoto by Renee Comet

Just coming out of winter with its beautiful aloneness and headed optimistically into the re-intwinement of spring. Can I disconnect now? Turn my iPhone face down? Segue from the fevered recipe of cabined isolation’s www soundtrack to the long, long view of sky and trees, uninterrupted by a screen? The earth’s revolution will be live, people. On its axis of Eos.

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Forgive me, Gil Scott Heron, for using your words for a post with so little weight.
Screen Shot 2014-03-18 at 7.40.24 AMPoster art by Jay Tripper

Creating Desire, Morning, Noon and Night

Last weekend in Boston the Transcultural Exchange hosted the 2013 Conference on International Opportunities in the Arts, themed Engaging Minds. The panel entitled Food as an Art Form included me. I was nervous as hell.
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At a cocktail reception, Friday night, the night before I was slated to speak, I engaged with a man who was, oddly enough, neither an artist nor a person offering opportunities to artists. Wonder of wonders, he was a food dude. Swiss, sharp, sophisticated, part scientist, part entrepreneur, an embracer of ideas and thinker of big thoughts.

Me? Conflicted, struggling with my outlier status as a food stylist. I walk the line, often leaping into the advertising/PR mosh pit. Is it art? Nope. AN art? Yep. A little shop talk tracking the Venn diagram of the business of food and the art of food and the business of both sparked the man’s remark that what we do is “create desire.” Ding ding ding ding! Gongs bonged in my head.

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Francesco Panese, Associate Professor of Social Studies of Science and Medicine in the Lausanne University and consultant to Nestlé, gave me that strap from which to hang and hang on tight I did, swinging from art to food to business to deception to art to food to consumption to art to food to…you get the train here. For those of us (ME! ME! ME!) who are fascinated by how food defines, connects, divides and consumes us, the panel was fascinating. Thank you, Mr. Panese. I will always remember my ultimate intent while at work, to create desire.

20130129_FoundingFarmers165-LAY-FINALPhotos by Renee Comet, Styling by Moi, for The Founding Farmers Cookbook

 

High Rise

Did I know what I was getting into when Kinnaird+Mangan enlisted me to build a “bread centerpiece” for an American Bakers Association reception? No. Do I ever really know what I am getting myself into? Nah.  A list of required baked goods was sent to me. 
I gave it thought. While driving. Just before sleep. Over coffee. Waiting in line.

Gathering and foraging took me to the grocery, craft store, pharmacy and hardware. Several times each. Gathering and foraging. Plotting, scheming, thinking.
 
I made a trial run and realized I didn’t like the look of the metal rods and dowels. They needed texture. Floury texture. So I painted them with diluted glue and rolled them in flour. Much better.
 
I built some bread cascades with spray glue and wooden skewers. Pretty nice. Except for the big ugly holes at the end. What could go there? Set that aside for later.

The bread and rolls were left to dry so they would be strong and could support one another in a tall vessel. Some bread was too dry and shattered when I tried to stack it, or pierce it. Begin again.
 Cheerios in the top layer spilled down and filled every nook and cranny. Should have seen that coming. Begin again, cheerios on the bottom.  Better. I liked it much better with added pita. Dry pita stacks nicely, asymetrically, leaving airy spaces.    Some bread I coated with spray varnish to prevent cracking and chipping. These half bits were used to encircle the dowels, crusts facing out.

Borrowed a pair of heavy duty snippers, a metal lopper thingy that did the trick in trimming excess rods. Then I wrapped it all up to go. Layers of soft cellophane, like tissue on a bee hive do.

Okay, I had a handle on the main affair. How was I going to get it there?  Call in the transportation engineer. The handling and shipping department stepped up with cardboard, bubble wrap, yesterdays Post, and a three step delivery operation.    Oh, but first, the crowning  – actually, more of a train than a crown – touch. A garland. All decent affairs require garlands.    Signed and sealed, the caterer picked up the box – my car did not have the headroom. On the day of the event, her staff ferried it on to the site where I met them.  Parts assembled, final tweaks made, lights, camera, no action. A still life that still had life.

And then I had a drink.

The World is Round

Global Show and Tell
One of my plum projects of 2010, A World of Flavor, kept me up to my elbows in lamb chops, loins, legs and shanks for a week last summer. Renee Comet‘s photos for the book are gorgeous and I was proud to be a part of the process.

This week I will be working with Australian lamb again, just a couple shots, not a book.  I’m always bedazzled by the way Australian recipes blend European, Southeast Asian, American and you-name-the-locale ingredients in ways that seem uniquely Australian. Fresh, bright flavors over foundations of flavor layering.

Cooking and styling last summer for A World of Flavor made food look new to me again, similar to the days when I was a bright, young thing honing my chops on the line at Le Pavillon, Restaurant Nora and The Tabard Inn. Everything was new, cooking was exciting, I did it with relish at work and home.

These days I still get excited about food and cooking, but not as readily. I feed off the energy of other cooks and, as the stylist, am often the only cook in the room. Not so with the Australian lamb people. Now they can cook. In circles.

And circling the globe, too.

Take my job, please.

Post Express, Steal This Job


Who: Lisa Cherkasky

Job: Food stylist

What She Does: If you’ve picked up a packaged foodstuff at the grocery store, glanced at the latest issue of Bon Appetit or flipped through a cookbook for recipes, you’ve seen food styling. These artists are in charge of making these pictures look as tasty and as tantalizing as possible. They obtain ingredients and props, cook dishes, and plate and garnish them attractively.

Though they use a lot of tools you’d find in most kitchens, they also break out some odd gadgets to get their subjects camera-ready. Cherkasky uses a child’s aspirator to move gravies and sauces around, a jeweler’s torch to brown steaks and a clothing steamer to melt cheese. “A lot of what I do is about keeping the food moist,” Cherkasky reveals. “A wet lemon can make the picture.”

Would You Want This Job? Food stylists need to be nimble and attentive. “You can’t be a bull in a china shop,” Cherkasky says. “If you bump something, you’ve ruined hours of work.” The labor itself can incredibly stressful, because stylists sometimes spend an entire day trying to get a single dish to look just right. “You can’t say, ‘This is perfect. I’m done,'” Cherkasky says. “The client can pick at it for as long as they want. I’ve worked on a single forkful of rice for hours.”

How She Got This Job: Cherkasky started out her career in food in the kitchen, as a cook for a family while she was still in high school. She attended the Culinary Institute of America in New York and went on to work as a chef at D.C. at hot spots such as the Tabard Inn.

Ultimately, she wanted to take a break from the restaurant world, so she found a job working on Time Life Books’ “Healthy Home Cooking” series as a recipe developer, which required her to do food styling. This was a lucky break. “It’s hard to get into this field,” Cherkasky admits. “No one wants to train you, because they don’t want you to take their job. There’s a very limited amount of work out there, so you don’t want to share it.” Luckily for Cherkasky, she was paired with food photographer Renee Comet, and the two developed a partnership that exists to this day.

Weirdest Assignment: Clients sometimes want to photograph highly unusual dishes. “I’ve styled muskrat,” Cherkasky says. “It was for the ‘Smithsonian Folklife Cookbook.’ They were hard to get, but I finally got them from some guy in Baltimore who just happened to have some in his freezer.”

How You Can Get This Job: Since it isn’t possible to get a college degree in food styling, the easiest way to get started is to take an online course. Offered through websites such as Photostylingworkshops.com and Foodesigns.com, these interactive classes help beginners learn the basics. For more advanced training, Cherkasky recommends taking a hands-on, in-person workshop taught by an established food stylist. Additionally, aspiring stylists can attend the annual International Conference on Food Styling and Photography, which offers numerous educational opportunities.

Written by Express contributor Nevin Martell
Photos by Jason Hornick