Well Enough Left Alone

One of my favorite Onion headlines: “Local Girlfriend Wants to Do Stuff”.

Local wife, Suits-Herself-Cindy, turned me on to American Seafood.

This cute and disheveled older man runs the shop. He is the owner, actually, with his wife, who makes the key lime pies. It mostly operatesas a seafood store (not restaurant), but he serves dinner a few nights a week. Basically, he will cook ANY fish for you. I get the feeling that you could just walk into the shop and say “I’d like that piece,” and he’d cook it up for you.Then you can get fries and slaw or vegetables and rice. (ADORE the lack of choices). The vegetables (summer squash and green beans) came from his garden!!! So sweet.And, boy, he can cook a piece of fish. The grouper I had was by far the best fish I have had in a long time. The owner hustles around in a cheerful but low key way and makes sure everyone is happy. AND you bring your own beer/wine.They have a variety of fish sandwiches for lunch. We should go.
Here is a link if you want to investigate: http://www.yelp.com/biz/america-seafood-corp-arlington
So we went. Here here to BYOB and “lack of choices”.

I had been having restaurant phobia. It is a phenomenon where I basically don’t like any restaurant. They all either seem overpriced or not quite good enough or too fussy (I didn’t want anything seared or crusted or glazed or …you know). Does this ever happen to you? American Seafood Corp was the perfect answer.

I’m tired of restaurants, too. Poor me, like the school boy in the New Yorker cartoon circa 1979. Peeling open his sandwich in the lunch room, brown bag on the table, he says, “Not pâté again.” Poor me, I eat out too much. Too many choices. My brain is tired.

Taking one bowl and one spoon and moving to the country.

Here here is American Seafood. For when this local girlfriend wants to do stuff.

The Days Can Be Interminable and the Years a Mere Blink

Disclaimer: I should not be blogging on the morning after Halloween.

Hel-lo! This is All Hallow’s Day and I must have morphed to weremother. Trick-or-treating brought out the worst in my son this morning, which brought out the worst in me. Off to shave my knuckles just as soon as I finish typing.

Three cups of coffee, a bit of huffing and puffing, and some soul searching on why I wanted to be a mother in the first place, brought up this:

Teddy spotted it in the grocery store last week. A flash of pride went off in my body. BING! He is brilliant, and observant, and funny, and eager to make me laugh. And he remembers my sandwich preoccupation.

And there was that comment last night, as I demolished my Scrabble opponent, “I take after you, mom, in Scrabble.” Last night I wanted him to take after me. This morning? Not so much.

Aaah, much better now. Maybe I’ll wait till he gets home from school and we can take the silver bullet together.

Toast Poast Number Automatic Beyond Belief

There is something indescribably warming about being closely associated with toasters.  Close friends Sorry-Birds-Ellen and Suits-Herself-Cindy sent me the following, thoughtful women that they are, and well read.

Why Is My Toaster So Bad?
By Julie Lasky
New York Times, October 2, 2011

In terms of aesthetics and performance, the toaster has been devolving for a generation. According to Eric A. Murrell of the Toaster Collectors Association, the Toastmaster 1B14, a handsome hunk of chrome and steel discontinued in 1960, remains “absolutely the end-all-and-be-all toaster there ever was.” Among its charms was a patented timing system that didn’t tick off seconds but used its internal heating mechanism to gauge the bread and produce a consistent shade of brown. Collectors also dote on the Sunbeam T-20 Radiant Control model, which was introduced in 1949 with the slogan “Automatic beyond belief” — a reference to its ability to automatically lower and cook the bread. “It’s still one of the most elegant inventions in the household,” laments the technology-and-design historian Edward Tenner, of the machine that was discontinued in the mid-’90s. Asked to choose between the T-20 and 1B14, Michael Sheafe, a New York dealer of vintage appliances,
said, “It’s like asking which child you love more.” What doomed these classic designs was cost. The original Sunbeam T-20 cost more than $22.50 when it was introduced in 1949, about a third of a week’s wages for the average family. The dark age of the toaster began when consumers started choosing price over functionality, particularly during the 1980s. The market is now glutted with machines that toast unevenly and retail for less than $10. “Mind you,” Sheafe added, “that’s what they’re worth.”

“I am going to try to use the phrase “automatic beyond belief” at some point today,” said Suits-Herself-Cindy.

Reading about old toasters causes me to mourn the 20-or-so beauties that used to hang around this place before they were donated to the Toaster Museum Foundation.
Here’s one now, from the Cyber Toaster Museum. What a beloved beaut.

Manufacturer: Chicago Flexible Shaft Co
Brand Name: Sunbeam
Model Number: T9

Details:
The T-9 Half-Round Sunbeam.

Produced from the late-1930s through the 40s, The lovely oval design (is) the last word in modern styling by George Scharfenberg (from an advertisement).

Sometimes called the World’s Fair toaster as this toaster was first made in 1939 – the date of the 1939 New York World’s Fair – and some find the etched designs on the T-9 to be symbolic of the Fair’s logo.

This toaster was generously donated by Lisa Cherkasky, Arlington, VA.
As much as I loved ’em, I was happy to place them in a good home.

The Final Word on Pie

Are you a member of the

Clean Sandwich Plate Club?

Card carrying? If so, read on.

If no – honesty please – close this tab and get back to your online bill paying.

I was here, at Hoosier Mama, with my mama, in Chicago, after a long walk. Insistence and persistence are one of my most annoying specialties, particularly in pursuit of food. Relentless foraging. My mama, bless her pie-loving, 84-year-old-tomorrow heart, is always always always game. No joke.

She said it was the best banana cream pie she had ever eaten. This from the woman who, as a child, carried pie making ingredients from the basement every morning at 5 am, to her mother who baked them, over the years, during The Great Depression, into 14 thousand pies. Sold for 25 cents each.

The same woman who won a 4-H blue ribbon for her lemon meringue. She just makes pie. Nothing precious about it.

Her dad could sit down and eat pie on demand. “There’s always room for pie,” said he, and put his mouth where his money was. My grandpa was a lovable skinny dude, with a righteous appetite.

In turn my mother taught me to bake pie, and I became adept at it in high school, carrying warm apple pies to the occasional sweet boy who caught my eye. I have no fear of pieing. None. Thank you, Mom. Happy Birthday!

Deluxe!

Orexin Ephemera

Having a slow Saturday this holiday weekend at the Lunch Encounter. It is just too beautiful to be inside. So here I am, radio playing, counter spanking clean, orders placed, now what? Let’s clean the walk-in!

Rooting around in the basement, I came upon this post that sprung from a styling gig I had involving Oreo cookies. Wondering about the origin of the word Oreo, I had done a bit of research.

Oreo comes from the Greek root for appetizing as in orexin or orexigenic (appetite stimulating). And while I was at it, online and all, I wandered, uncovering Judith G Klausner, her amazing Oreo art and incredible embroidered toast. Toast!

I felt the need to blog (translate as “blurt), and to alert the Snitters of Knitwitz. SuitsHerselfCindy, a snitter who does not knit, grabbed the thread and followed it to thisiscolossal.com where she encountered this open-faced sandwich.


Beauty is often found in the most unlikely and overlooked places.

Artist Judith G. Klauser of Somerville finds her inspiration in small, everyday objects that easily recede into the background. In the past, she’s worked with insects, baby teeth and fingernails. She also works with food. Specifically, processed food.

In a series called “From Scratch,” Klauser uses Oreo cookies to make finely detailed cameos (she sculpts the frosting with toothpicks, pins and a sculpture stick); cereal, for her elaborate cross-stitch samplers; toast, as a base for embroidery and condiments, such as ketchup and mustard; and paint, to create wallpaper.

I’ve done some experiments making silhouettes using American cheese and decided I wanted to do something more detailed…the cheese can take it. My experiments involved letting the cheese sit out, unrefrigerated, to see what happened to the slices. It turns out they actually behave like Shrinky Dinks. If you leave American cheese out for months, it shrinks and hardens. It’s a little alarming in a food substance, but it certainly works well for me.

Read more here.

Judith G Klausner is a genius, a brilliant food artist, and I want to be her.

Fix Me a Plate, Wouldya Honey, Reprised

Why Do Sandwiches Taste Better When Someone Else Makes Them?
By Daniel Kahneman
New York Times, October 2, 2011

When you make your own sandwich, you anticipate its taste as you’re working on it. And when you think of a particular food for a while, you become less hungry for it later. Researchers at Carnegie Mellon University, for example, found that imagining eating M&Ms makes you eat fewer of them. It’s a kind of specific satiation, just as most people find room for dessert when they couldn’t have another bite of their steak. The sandwich that another person prepares is not “preconsumed” in the same way.

From Sorry-Birds Ellen
Thank you! What would I do without you? I shudder to imagine.

 

Not to be snarky, but is snarky a word?  Let’s say it is. Not to be snarky, but, duh. Really? Don’t ya know that food tastes so much better when someone else makes it? Actually, I don’t always feel that way. After traveling, I like to MAKE MY OWN FOOD.

In a daily drone, done-working, drudgery situation, I want food that I have never seen or touched or smelled. Not that I would eat dinner from 7-11.

I get the “preconsumed” thing, as disgusting as that sounds. Like something a baby bird might eat after momma bird regurgitates it. Ack. Did I just type regurgitate?

At a party recently, standing around in the kitchen with a bunch of “food people”, chefs and stuff, I said, unfortunately, “Aren’t you just so sick of food?” Hahaha. Awk-ward. They all said, with quizzically furrowed brows, “Uh…no.” Whoopsie. I was the only one still working lots and lots of hours, with my hands in food. Smelling it, feeling it, preconsuming it.

Fix me a sandwich, wouldya honey? And make it a surprise.

Toast Poast Number Median/Central/Mean


Toaster Central

My toaster (oven) (ahem) was purchased as new-old-stock. It looks new, but has emotional baggage. When left alone it cries, in a high-pitched, even singing, sounding like a mosquito who never pauses for air. Am I surprised? Nah.

Identity crisis seems apropos for a small appliance whose use is unspecialized. Spork, anyone? If you’ve seen Wall-E, you will recognize the sorting dilemma of which I write. As if you can’t see it with your own two eyes. The very eyes that look at just ONE thing at a time. Toaster ovens, poor things, are wall-eyed, peering out at the world through the tribulation of bake vs. toast.

We all try to wobble back to our center, our mean, our median, the grassy stretch that grows between the good and evil within. That nice, toasty, sun-warmed strip that runs straight to the heavenly horizon.

           

Mimi Harrison sent me the link to Toast Central, and Mimi understands the high-pitched mosquito song that says

HEAT.
ROBERT SIEGEL, host: When we asked you, our listeners, to tell us about your personal summer sounds, we found that most of you savored the pleasant ones, but not all of you.
(SOUNDBITES OF VARIOUS THINGS)
MIMI HARRISON: My name is Mimi Harrison. My summer sound is the sound of mosquitoes.
(SOUNDBITE OF MOSQUITO)
HARRISON: When I was in my 30s, I lived on Water Street, one of the oldest streets in Manhattan. The Fulton Fish Market was around the corner and the whole neighborhood was full of dilapidated brick buildings and the constant smell of decaying seafood. My boyfriend and I lived in a great loft in an old cracker factory. No one lived where we did except romantics like ourselves who loved coming home to the cobblestone street and the ghosts of our ancient neighbors. The whole neighborhood was built on flotsam and oyster shells with standing water in every basement.
When summer came and the street heated up like a kiln, it bred lethal swarms of mosquitoes.
(SOUNDBITE OF MOSQUITOES)
HARRISON: So every summer night after the fans were turned on, after the cold shower and the light toweling off, we’d dive onto the bed, turn off the lights and hope to stay cool long enough to fall asleep. Within seconds, we’d hear the whine.
(SOUNDBITE OF MOSQUITO)
HARRISON: And then came the slaps.
(SOUNDBITE OF SLAPPING)
(SOUNDBITE OF MOSQUITO)
(SOUNDBITE OF SLAPPING)
HARRISON: Our heads, our necks, arms, ankles, any meat that was hanging outside the sweaty sheet was devoured. Whine, slap, whine, slap, whine, slap. We moved to Washington eventually to an air conditioned place with quiet nights. Much of the old New York neighborhood has been gentrified. The fish market moved to the Bronx and I like to think that down in the putrid pools beneath those renovations, those little suckers are multiplying and treating the new residents to a true summer sound.
(SOUNDBITE OF MOSQUITOES)
(SOUNDBITE OF SLAPPING)
SIEGEL: That’s Mimi Harrison with the latest in our series on the sounds of summer.
(SOUNDBITE OF MUSIC)


GOOD

You will click on GOOD if you know what’s good for you.
Funny, I just had the Bobbie at Capriotti’s in Wilmington,DE last week.


Thank you, Michele, for the cool link!

Feeling Daft at Lazy Jane’s

Once upon a time, in my fantasy life, Teddy and I lived in Madison, Wisconsin,


and certain rules applied, my rules.
1. We could eat at Lazy Jane’s any time we felt like it.

2. No one was allowed to use these phrases: broken familyintact family, or a child of your own.  Being PC was so in it was out and it meshed with Incorrect, so none  applied – correct, incorrect, discorrect, uncorrect, or just plain wrong. Or right. And everyone used their turn indicators. For right turns. And left turns.

3. A beauty salon  trust fund was awarded to me. UnLtd.

4. French fries and potato chips became super foods.

5. Video and computer games disappeared forever ~poof~ into vapor.

6. Big hot breakfasts were mandatory.

7. The human population, at large, recognized the genius of comic books.

8. Time stood still, for me only, while the world slept.

We lived in Madison, in complete denial about the sad state of certain aspects of the world,
and our ignorance was bliss.

We were in such a far left dream that we rounded the circle to being right

and we were similar to those who fear anything different,

in that we wanted to only be with people who seemed just like us.

And it felt good.

The fantasy, like most fantasies probably, was extremely flawed. For one thing, one huge thing, we couldn’t figure out who, if anyone, was just like us. Therein lay the rub. Fantasies always have a rub. Phew.

So we stayed. On the east coast, not the midwest. In occasionally blissful reality. The rules push us around and we bend. Living happily and daftly ever after.

Take Comfort

Take it! No one has given it to you? Take it!

It’s there all around you, as breathable as air.

Breathable, edible, reliable.

Comfort is a commodity, about like diamonds. No market value without the artificial value bestowed upon it by, um, the market. It’s there.  You are swimming in it all day and night. Take it!


Oh yeah, by the way, I did the styling for this book, and took comfort in going to work, coming home and liking it. Robyn Webb, the author, reigns. Pure professional comfort. Peer comfort.