To hold and be held
Is beyond ordinary
More daily wonder
You, me, a sandwich. Hold me, hold it, let me hold you. Hold on.
Ordinary is the new extraordinary at the Lunch Encounter.
You, me, a sandwich. Hold me, hold it, let me hold you. Hold on.
Ordinary is the new extraordinary at the Lunch Encounter.
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Before
After
BeforeAfter
Photos (the nice ones) by Renee Comet
Styling done by me, Lisa Cherkasky, on all
Smoke and mirrors
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Malcolm must be rubber, bouncing in momentarily, and boinging back out.
He’s my hi-bye friend.
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Did someone say, “Have a little Bloody Mary with your pickles”?
Those pickles must be McClure’s!

Growing up, we never realized how influential pickles would be in our lives. In 2006, using our great grandmother Lala’s recipe, we started McClure’s Pickles after years of making pickles in our tiny Michigan kitchen. We learned how to make the pickles from our grandfather and parents and now we continue the tradition with a bit more room. We make the pickles, relish, mustard and other McClure’s products just outside of Detroit, Michigan and in Brooklyn, New York. We use as much local produce as possible when it is in season and when it’s not, we call up the farms and speak directly with the growers to know where our produce is coming from and how it is being grown making sure we are getting some of the best, freshest produce available. Every jar is hand packed, the cucumbers hand sliced, and our labels, printed by Rolling Press, use soy and vegetables inks with chemical-free plating and are created with wind-powered electricity. We’re happy that after so many years, we can bring our family recipe, to yours.

McClure’s Pickles
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Need I say more? Need I say anything at all?
Suits-Herself-Cindy and I artfully melted juicepops with Renee Comet for the book Making Juice Pops, a huge hit with the under-ten set, which was designed by Cindy. Tell you what, making a juicepop look appealing as it melts is no small task. Recreating that IT moment for the camera is a challenge, too. Several times. Why stop at twice when it’s digital, I ask you.
We put on our food enginerd hats and went to town. We were already wearing our going-to-town shoes.
Have you ever noticed that when a popsicle melts the liquid is not nearly as saturated a color as the pop itself? OF COURSE YOU HAVEN’T! Who would, other than a highly specialized food photography technician at the pinnacle of capability?
~Splatting mustard THANKS with a paint gun all over the front porch of Suits-Herself-Cindy. Cloudy with a chance of hotdogs predicted for this evening.~
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Big event in the hood last October, a camping overnight at The Phoebe Hall Knipling Outdoor Laboratory
Dear Grandpa,
Thank you for the $20.00. I am going to spend1/3 save1/3 and donate1/3. I am still thinking of what to buy and donate to. School is O.K for now.
I am cooking eggs. The eggs are cooking sssssllllloooowwwwwly. The eggs smell good and warm. The eggs worked!
My mom is doing chores. I do not like chores.
I do not know if I will like the out door lab. In out door lab we take hikes. And roust winners.
LOVE,
TEDDY
Nick Dubois, Teddy Telzrow and Saleha Hoffman await the bus, October, 2010

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Post Express, Steal This Job
Job: Food stylist
What She Does: If you’ve picked up a packaged foodstuff at the grocery store, glanced at the latest issue of Bon Appetit or flipped through a cookbook for recipes, you’ve seen food styling. These artists are in charge of making these pictures look as tasty and as tantalizing as possible. They obtain ingredients and props, cook dishes, and plate and garnish them attractively.
Though they use a lot of tools you’d find in most kitchens, they also break out some odd gadgets to get their subjects camera-ready. Cherkasky uses a child’s aspirator to move gravies and sauces around, a jeweler’s torch to brown steaks and a clothing steamer to melt cheese. “A lot of what I do is about keeping the food moist,” Cherkasky reveals. “A wet lemon can make the picture.”
Would You Want This Job? Food stylists need to be nimble and attentive. “You can’t be a bull in a china shop,” Cherkasky says. “If you bump something, you’ve ruined hours of work.” The labor itself can incredibly stressful, because stylists sometimes spend an entire day trying to get a single dish to look just right. “You can’t say, ‘This is perfect. I’m done,'” Cherkasky says. “The client can pick at it for as long as they want. I’ve worked on a single forkful of rice for hours.”
How She Got This Job: Cherkasky started out her career in food in the kitchen, as a cook for a family while she was still in high school. She attended the Culinary Institute of America in New York and went on to work as a chef at D.C. at hot spots such as the Tabard Inn.
Ultimately, she wanted to take a break from the restaurant world, so she found a job working on Time Life Books’ “Healthy Home Cooking” series as a recipe developer, which required her to do food styling. This was a lucky break. “It’s hard to get into this field,” Cherkasky admits. “No one wants to train you, because they don’t want you to take their job. There’s a very limited amount of work out there, so you don’t want to share it.” Luckily for Cherkasky, she was paired with food photographer Renee Comet, and the two developed a partnership that exists to this day.
Weirdest Assignment: Clients sometimes want to photograph highly unusual dishes. “I’ve styled muskrat,” Cherkasky says. “It was for the ‘Smithsonian Folklife Cookbook.’ They were hard to get, but I finally got them from some guy in Baltimore who just happened to have some in his freezer.”
How You Can Get This Job: Since it isn’t possible to get a college degree in food styling, the easiest way to get started is to take an online course. Offered through websites such as Photostylingworkshops.com and Foodesigns.com, these interactive classes help beginners learn the basics. For more advanced training, Cherkasky recommends taking a hands-on, in-person workshop taught by an established food stylist. Additionally, aspiring stylists can attend the annual International Conference on Food Styling and Photography, which offers numerous educational opportunities.
Written by Express contributor Nevin Martell
Photos by Jason Hornick
Posted in Foodstyling
The other day, while working on a plate of jambalaya I realized what it is I love about my job. Bingo!

“What do you love about your job”, “How did you get into it”, and “How much do you earn?” are the three questions I am asked most often about foodstyling. The first and second I can’t answer without talking for at least 77 minutes. By then the listener is long gone. The third I hate to answer, although it certainly perks up the listener.
No, I’m not going to tell you what I earn, and I am not going to bore you with my history, but I will tell you what I love about my job. I have finally put it into a sound bite – a sound bite from the days when our attention was longer than 9 seconds. Had a revelation the other day, a jambalaya related revelation, that brought my work happiness quotient into sharp focus.
Sitting in front of a plate, small brushes + bamboo styling picks + a pair of dental forceps within reach, water + vegetable oil + plate ingredients alongside me, the work feels like painting (not that I have much experience with painting). I go into a bliss zone – tweaking, changing, adding, removing, moving, moving again, moving again, burying, lifting, looking, looking, looking. Watching the plate in “person” and on the monitor, accessing the contours, colors, textures, contrasts, balance. Painting with oils must be similar, right? Well, even if it is not, I enjoy my zone. It is often very brief and constantly interrupted, but it is there.
Building something like a sandwich, or a slice of lasagne…same experience, although more sculptural. Build a bit, step away to see it, build a bit more. Color, contrast, contours, textures, balance.
Balance is key.
It is looking and absorging and adjusting and looking again. Like art, right? Don’t get me wrong, I don’t consider myself an artist, not by a long shot, but I do think the mindframe might be similar. And I use my hands, and materials. Tactile is us.
That’s what I love most about my work.
Arlington Cable Access interviewed me for their show “Food for Thought”. They visited Renée Comet‘s studio one day when we were working on the Mt Vernon cookbook, too. I was super impressed by Matt Kraft and Katie Greenan and the rest of the staff. This is the first time I can say that I wholeheartedly enjoyed an interview. Usually I am nervous. Not this time. Having my hair done was key.
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Is that Wafffffffle and Wafffle? Or is it Wafle and Waefle?
Lunch Encounter – Lunch ‘n’ Counter – Luncheon Counter
The folks in charge at the Waffle Shop are doing some intentional living. The paint on the awning was recently refreshed.
The Arlandria Waffle Shop is heartbreakingly out-of-step in these parts. In DC, once you are worn in, you are worn out, or so it seems from where I sit. Sat at lunch in a bit of a cringe, expecting the wrecking ball to crash the plate glass at any moment.
All I know about the original Waffle Shops, I know from personal observation over the past 40 years. We are down three, down to one. This one on Mt Vernon Avenue.
Alexandria’s Waffle shop, now a Pain Quotidien (gag) was on the optimal corner of King and Washington. I prowled there, during my junior high years, with a small gaggle of mismatched girls – we were not self-aware, styled and snarky in those dark ages of 70’s tweendom. We skulked for boys with the Waffle Shop as our backdrop. We were too young to go in and too shy. Boys, if encountered, circled warily, too young and too shy to talk us. While the hurdle of conversation hulked between us, we longed for them to hold our hands.
One door down was the former J.C. Penney, brightly lit and safe, where we bought 1/4 pound paper bags of chocolate turtles or malted milk balls before boarding the 9A bus home. Solace and safety.
The Waffle Shop staff today is into it, nurturing the nurturance of the curved stone counter, warn-wood swivel stools, and warmly glowing yellow ceiling. Burnishing a haven.

Took their time, paid attention, used intention, a sandwich worth mention. Beautiful.
Rating right up there among my ten most favorite questions, “Would you like those onions grilled?”
I’m eating your fries, I’m eating your fries, I’m eating your fries, said I. OCD much, anyone? The Waffle Shop is highly tolerant of quirks. In fact, quirks seem highly regarded. Being triangular perhaps is conducive to rejoicing in the oddness of others. Setting a very fancy banana-chocolate-strawberry-whipped cream-is-that-a-waffle-under-there the waitress hummed, “On the house.” It’s nice here in the bubble. Don’t ask why, risking a jinx and a ~pop~, just eat it up.
A mighty fine finish to a year of wonders, a year of lavishes and trials, 200 watt bulbs and power outages, soaring and creeping, and plain old walking, one ordinary step at a time. My right hand and left occasionally did not know they were connected to the same women. With an uber-waffle to fuel me, I plan to skip into 2011, bright-eyed and appetited, all limbs in sync.


How I love a handwritten receipt. And a spindel. PUNCH! A satisfying finish to an up-and-down year. Bye bye 2010. Nice to see you…..go.
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